The song books remain unpublished and the tradition is rapidly fading. Caland and of the Brahmana by Raghu Vira and Lokesh Chandra, as well as the neglected Upanishad, but only parts of the Shrautasutra. There is an edition of the first part of the Samhita by W.
Sharma), parts of the Jaiminiya tradition remain unpublished. While the Kauthuma recension has been published (Samhita, Brahmana, Shrautasutra and ancillary Sutras, mainly by the late B.R. *and the IAST|Rāṇāyanīya in the Maharatta country.
*the Jaiminiya in the Carnatic and Kerala, *the Kauthuma recension is current in Gujerat, and since a few decades in Darbhanga, Bihar, Griffith says that there are three recensions of the text of the Samaveda Samhita: When sung the verses are further altered by prolongation, repetition and insertion of stray syllables (stobha), as well as various modulations, rests and other modifications prescribed in the song-books (Ganas). There are frequent variations from the text of the Rigveda that are in some cases glosses but in others offer an older pronunciation than that of the Rigveda (such as for common ). The verses have been transposed and re-arranged, without reference to their original order, to suit the rituals in which they were to be employed. It consists of a collection (samhita) of hymns, portions of hymns, and detached verses, all but 75 taken from the Rigveda, to be sung, using specifically indicated melodies called " Samagana", by Udgatar priests at sacrifices in which the juice of the Soma plant, clarified and mixed with milk and other ingredients, is offered in libation to various deities. Its earliest parts are believed to date from 1000 BC and it ranks next in sanctity and liturgical importance to the Rigveda. The Samaveda ( Sanskrit: सामवेद, "sāmaveda", from " IAST|sāman" "melody" + " IAST|veda" "knowledge" ), is third (in the usual order) of the four Vedas, the ancient core Hindu scriptures.
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